A Place To Bury Strangers – ‘We’ve Come So Far’

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Fader have premiered ‘We’ve Come So Far’, five fresh minutes of ear melting rock n’ roll courtesy of A Place To Bury Strangers. The New Yorkers show they can add a psych swagger to their trademark wall of noise. Pick it up on their new record ‘Transfixiation’ (out February 17 via Dead Oceans).

“The lyrics were written by themselves. The meaning is absolute truth. Life is super intense and fucked up so even accomplishing anything is a huge feat,” Singer/Guitarist Oliver Ackermann says (via Dead Oceans). “We should all be proud of that. When we have worked extremely hard for something for so long it is just amazing to look back on it all. Sometimes I just want to shake people for feeling useless. There is so much potential and amazing things going on all around. Help make something great for us all to enjoy. ‘We’ve Come So Far’ has an endless building feeling which mimics life.”
 
A Place To Bury Strangers – ‘We’ve Come So Far’

Visit A Place To Bury Strangers @ Dead Oceans @ Facebook.

Sigh Down One – ‘Feeler’

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Montreal’s Sigh Down One have posted the ‘Feeler’ video and single, recorded on one-inch tape by Peter Woodford in Bottle Garden studio. The trio is singer/guitarist Sasha Ford (Cascadia), Kaity Zozula (Femmemaggots, Lungbutter), and Blair Lauren (The Facials, Dreamboat). Hear more slushy rock goodness at Bandcamp!

 
Sigh Down One – ‘Feeler’

Visit Sigh Down One @ Bandcamp @ Facebook.

Guy Fixsen On Laika’s ‘Silver Apples Of The Moon’ Re-issue

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Medical Records have unveiled their first batch of 2015 releases, among them is the (long out of print) debut from Laika, ‘Silver Apples Of The Moon’ (order here)! The album was originally released in 1994 on the much loved London label Too Pure (former home to Stereolab, PJ Harvey, Seefeel, Electrelane and more). Laika (named after the soviet space dog) was founded by Margaret Fiedler, John Frenett and Guy Fixsen. This week Guy responded to a brief Q&A about the re-issue. For the uninitiated, his production work includes… *deep breath* The Pixies, My Bloody Valentine, Rollerskate Skinny, Slowdive, Chapterhouse, The Boo Radleys and Moose (among many more)!

What creative head space were you in going into Laika’s debut given your previous work with Moonshake?

I think in retrospect we were both out to prove a lot. Margaret as her first outing after a very competitive partnership that came unstuck in a fairly acrimonious fashion and myself as my first project as artist - after having done a lot of production I was kind of straining at the leash to try out all these ideas in my head.

How did you fall upon the combination of live percussion, dreamy vocals and far out electronics? Was it the result of endless jam sessions?

We never jammed as a band, the music was always clearly marked out before it was taken to the band. There was a kind of jamming in the writing process in the sense that we played with our sounds a lot. The percussion and electronics were just two of many elements we liked in music we listened to and we were lucky to find in lou ciccotelli someone who could realise the multi-layered polyrhythmic percussion we wanted. The “far-out electronics” was just a natural result of us playing with our two main toys which were a sampler and a moog. The dreamy vocals bit was just the lovely thing that happened when margaret opened her mouth on some tracks and anyway it’s hardly the rule on the record. Certainly on the second half of the record it’s hard to call the vocals “dreamy”.

‘Sugar Daddy’ is absolute classic! But, was there a moment when you thought “Y’ know, people just aren’t going to get this…”?

There were tracks on the album I thought people might find hard to get but that wasn’t one of them. It has plenty of clear pop hooks, it’s in 4/4 with a strong dance sensibility – what’s not to get?

‘Silver Apples Of The Moon’ was an ambitious, (and somewhat) unclassifiable record. Do you think new listeners twenty years later will find it easier to digest?

Maybe a bit. Some of what we were doing was ahead of its time I guess, but what has not changed is how conservative people are about mixtures. The vast majority of people seem to feel uncomfortable listening to things they can’t clearly define – then as now.

Looking back, how influential do you think the Too Pure artists of the time were (Seefeel, Stereolab etc)?

I often hear little bits of a lot of Too Pure bands filtering through, by circuitous routes, to bands all over the world and musical spectrum who never even heard of the label. Polly has obviously cast a big shadow, there was a time when it seemed that no self-respecting left field female rock artist could cough without it having a little of her dark twang. I think stereolab maybe were more influential in a spiritual way than a direct musical way. A bunch of great artists have told us that they drew inspiration from us. i’m proud, for example, that in radiohead’s most creative period they ran with a few laika-esque threads and did some lovely things with them. But Seefeel? Meh.

**ORDER LAIKA’S “SILVER APPLES OF THE MOON’ COLORED VINYL RE-ISSUE VIA MEDICAL RECORDS**

Visit Laika online @ Medical Records - Web / Facebook / Bandcamp.

Gorgeous Bully – ‘Nobody Hates You’ (Demo)

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Lo-fi rockers Gorgeous Bully have been working their asses off over the past twelve months, so much so that it’s hard to know what to listen to! For newcomers, I’d recommend getting stuck into their ‘Smiling, Laughing‘ LP from last October which pieces together a whole bunch of tunes into one (pay what you want) album. Last month the Manchester four piece (lead by Thomas Crang) released the fresh single ‘Love Song For Someone Else‘ and just this week, the free demo cut of ‘Nobody Hates You‘ (originally released on the EP ‘NHYAMAYHY‘ via Art Is Hard). See, I told you – lots going on, but lots to love!

 
Gorgeous Bully – ‘Nobody Hates You’ (Demo)

Visit Gorgeous Bully @ Bandcamp @ Soundcloud @ Facebook.

Breather Feat. J. Weinberg – ‘Montana’

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Remember Young Prisms? Sadly the San Francisco shoegazers called it quits in early 2014 after releasing some incredible tunes. But… from the ashes we have Breather (featuring former members Stefanie Hodapp and Giovanni Betteo)! The duo just posted some beautiful songs on Soundcloud and recently supported Tamaryn at the Chapel. Here’s to new beginnings…

 
Breather Feat. J. Weinberg – ‘Montana’

Visit Breather @ Soundcloud.

Dear Tracks – ‘Wildflower’

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Dear Tracks have delivered a stunning jangle pop single called ‘Wildflower’, taken from their debut EP (available from February 23 via Track & Field). Not to be confused with ‘The Deer Tracks’ band, this Grand Rapids foursome began as the solo project of Michigan’s Matt Messore. It’s a promising start for the band who are looking to hit the road in Spring / Summer.

 
Dear Tracks – ‘Wildflower’

Visit Dear Tracks @ Track And Field Records @ Bandcamp @ Facebook.